Take the "A" train~ Billy Strayhorn / Duke Ellington, Alkistis Lampropoulou Jazz Quartet

Details
Title | Take the "A" train~ Billy Strayhorn / Duke Ellington, Alkistis Lampropoulou Jazz Quartet |
Author | ALKISTIS |
Duration | 3:15 |
File Format | MP3 / MP4 |
Original URL | https://youtube.com/watch?v=u2QPjijvgqM |
Description
Alkistis Lampropoulou voc
Yiorgos Limakis bass
George Kosteletos drums
Asterios Papastamatakis piano
Recorded, at U217 Studio
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. It is arguably the most famous of the many compositions to emerge from the collaboration of Ellington and Strayhorn.
"Take the 'A' Train" was composed in 1939, after Ellington offered Strayhorn a job in his organization and gave him money to travel from Pittsburgh to New York City. Ellington wrote directions for Strayhorn to get to his house by subway, directions that began, "Take the A Train". Strayhorn was a great fan of Fletcher Henderson's arrangements. "One day, I was thinking about his style, the way he wrote for trumpets, trombones and saxophones, and I thought I would try something like that," Strayhorn recalled in Stanley Dance's The World Of Duke Ellington.
Although Strayhorn said he wrote lyrics for it, the recorded first lyrics were composed by, or for, the Delta Rhythm Boys. The lyrics used by the Ellington band were added by Joya Sherrill, who was 20 at the time (1944). She made up the words at her home in Detroit, while the song played on the radio. Her father, a noted Detroit Black activist, set up a meeting with Ellington. Owing to Joya's remarkable poise and singing ability and her unique take on the song, Ellington hired her as a vocalist and adopted her lyrics. The vocalist who most often performed the song with the Ellington band was trumpeter Ray Nance, who enhanced the lyrics with numerous choruses of scat singing. Nance is also responsible for the trumpet solo on the first recording, which was so well suited for the song that it has often been duplicated note for note by others.